In different ways, the agendas of New World Quarterly (led by Lloyd Best) and Savacou (led by Kamau Brathwaite) were cultural-nationalist in orientation. Importantly, these were oppositional nationalist projects, nationalisms positioned counter to the complaisant middle class (or liberal-rationalist) nationalisms through which the postcolonial nation-states in the Caribbean were being imagined and constructed.
Both journals sought to think critically against the Eurocentric norms of historical and cultural understanding of Caribbean society. Importantly too, both journals weren't concerned merely to dismantle the epistemological assumptions of European/Western understandings of the Caribbean; they were concerned also to explore the idea of an idiom of criticism that was vernacular, that is to say a practice of criticism that both gave form to, and spoke from within, a Caribbean cultural-political tradition.
We see Small Axe as heir to this project of fashioning of a criticism that works through our intellectual tradition. But we also understand that our social and political context has changed substantially from what it was in the 1960s and 1970s when New World Quarterly and Savacou were our small axes. If New World Quarterly and Savacou sought, in the context of the nationalist postcolonial state, to fashion an oppositional idiom of criticism, we inhabit a moment in which a new vocabulary of criticism is necessary to understand and address the social, cultural, and political forms of our present.
This is what we wish Small Axe to explore. To be sure we have no ready answers to the questions we wish to pose. In fact we think that this absence of ready answers is a condition of our journal. Ours, we think, is a time of much uncertainty, intellectual as well as political, when older paradigms are no longer plausible and new ones have not yet asserted themselves. Our aim is to be part of the refashioning of the cultural-political hopes for an alternative to our present. In this we think that a journal such as ours must be willing to risk questions that take us in directions we do not—because we cannot—anticipate.
- Editor - David Scott
- Associate Editors
Anthony Bogues
Nadi Edwards
Annie Paul
- Editorial Collective
Charles Carnegie
Christopher Cozier
Patricia Mohammed
Martin Munro
Patricia Saunders
Faith Smith
Krista Thompson
- Managing Editor - Kelly Baker Josephs
- Editorial Assistant - Christine Pinnock
- Production Manager / Copyeditor
Kelly Martin
- Translator, French - Nadève Ménard
- Copyeditor, French - Alex Martin
- Graphic Designer - Juliet Ali
Comments (3)
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Holly
cross/sparks
Oonya
Claire
Caribbean
Deborah
Small
New Issue of Small Axe (#31)
See the most recent issue of Small Axe -- several insightful essays and an in depth interview with writer and activist, Merle Collins.
Book discussion: Alex Dupuy: The Prophet and Power: Jean-Bertrand Aristide, the International Community, and Haiti; Peter Hallward, Damming the Flood: Haiti, Aristide, and the Politics of Containment
Small Axe Space
http://storage.smallaxe.net/sxspace/vocabularies.php
Tejpal S. Ajji, Jon Soske & Alissa Trotz in Conversation
South-South: Interruptions & Encounters ran from April 2 - May 19, 2009 at the Justina M. Barnike Gallery, University of Toronto. It was curated by Tejpal. S. Ajji and Jon Soske and co-organized by the South Asian Visual Arts Centre (SAVAC). Participating artists included Omar Badsha, Allan deSouza, Brendan Fernandes, Marlon Griffith, Jamelie Hassan, Apache Indian, Louise Liliefeldt, and Hew Locke.
NEW ISSUE OF S/X (#32)
Preface David Scott
Essays
Dreams, Delirium, and Decolonization in Derek Walcott’s Dream on Monkey Mountain
Kelly Baker Josephs
Circuits of Political Prophecy: Martin Luther King Jr., Peter Tosh, and the Black Radical Imaginary
Carter Mathes
Through the Eyes of Hollywood: Reading
Representations of Jamaicans in American Cinema
Tanya Batson-Savage
The Public Sphere and Jamaican Anticolonial Politics: Public Opinion, Focus, and the Place of Literary Publication
Raphael Dalleo
Riffing on Omeros
Jane Bryce
Accessory/Accessories: Or, What’s in Your Closet
Petrine Archer
Small Axe Literary Competition
Fiction
The Colour of Green Lizards
Ashley Rousseau
Dancing With a Ball of Light
Alake Pilgrim
Poetry
Point of View
2008 News Report on Fidel
Sold Again
Dance Girl Dance
The Cry Of The Snapper
Sunday Verandah Story
Gardener’s Justice
Bird Shooting Season
Kumina Queen
Monica Minott
To the Man Who Tends My Grandmother’s Grave
The Sea
Again
At Rock Bottom
Let This Be Your Praise
Montego Bay
Standing Outside the Circle
Dining at Customs
Beyond the AIDS Hospice
Tanya Shirley
Art/Work
Hybrid Navigator
Satch Hoyt
The Dimming
Nikolai Noel
Book Discussion: Lorna Goodison, From Harvey River: A Memoir of My Mother and Her Island
Stitch by Stitch: Sewing up Questions of Cultural Identity in Lorna Goodison’s From Harvey River
Sandra Pouchet Paquet
Last Stitch: A Praise Song for My Mother Who Mothered Me
Donette Francis
Reporting Back to Queen Isabella, Donette Francis and Sandra Pouchet Paquet
Lorna Goodison